'In a fugue of gestural restraint and release, Wool filters the fundaments of abstract painting through the gritty syntax of urban reality. By painting layer upon layer of whites and off-whites over silkscreened elements used in previous works -- monochrome forms taken from reproductions, enlargements of details of photographs, screens, and polaroids of his own paintings -- he accretes the surface of his pressurized paintings while apparently voiding their very substance.' (http://www.gagosian.com/exhibitions/2010-05-25_christopher-wool/)
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment